Journal of Voice
Volume 21, Issue 1 , Pages 20-34, January 2007

Are Real-Time Displays of Benefit in the Singing Studio? An Exploratory Study

  • David M. Howard

      Affiliations

    • From the Media Engineering Research Group, Department of Electronics, University of York, Heslington, York, United Kingdom
    • Corresponding Author InformationAddress correspondence and reprint requests to Professor David M. Howard, Head of the Media Engineering Research Group, Department of Electronics, University of York, Heslington, York, YO10 5DD, UK.
  • ,
  • Jude Brereton

      Affiliations

    • From the Media Engineering Research Group, Department of Electronics, University of York, Heslington, York, United Kingdom
  • ,
  • Graham F. Welch

      Affiliations

    • School of Arts and Humanities, Institute of Education, University of London, Bedford Way, London, United Kingdom
  • ,
  • Evangelos Himonides

      Affiliations

    • School of Arts and Humanities, Institute of Education, University of London, Bedford Way, London, United Kingdom
  • ,
  • Michael DeCosta

      Affiliations

    • York, United Kingdom
  • ,
  • Jenevora Williams

      Affiliations

    • Guildford, United Kingdom
  • ,
  • Andrew W. Howard

      Affiliations

    • SARAND Business IT Solutions, Haverhill, Cambridge, United Kingdom

Accepted 27 September 2005. published online 14 February 2006.

∗‡York, †London, ‖Guildford, and §Cambridge, United Kingdom

Summary

This article reports on an exploratory research project to evaluate the usefulness or otherwise of real-time visual feedback in the singing studio. The primary purpose of the work was not to optimize the technology for this application, but to work alongside teachers and students to study the impact of real-time visual feedback technology use on the students' learning experiences. An action research methodology was used to explore the benefit of real-time displays over an extended period. The experimental phase of the work was guided by a Liaison Panel of teachers and academics in the areas of singing, pedagogy, voice science, speech therapy, and linguistic science. Qualitative data were collected from eight students working with two professional singing teachers. The teachers and students acted as co-researchers under the action research paradigm. Teachers and students alike kept journals of their teaching and learning experiences. Singing lessons were observed regularly by the research team, coded for teacher and student behaviors, and all co-researchers were interviewed at the mid- and endpoint of the project. The use of technology had a positive impact on the learning process, and this is evidenced through case study data.

Key Words: Technology in singing lessons, Singing pedagogy, Voice analysis

To access this article, please choose from the options below

Login to an existing account or Register a new account.

  • Purchase this article for 31.50 USD (You must login/register to purchase this article)

    Online access for 24 hours. The PDF version can be downloaded as your permanent record.

  • Subscribe to this title

    Get unlimited online access to this article and all other articles in this title 24/7 for one year.

  • Claim access now

    For current subscribers with Society Membership or Account Number.

  • Visit SciVerse ScienceDirect to see if you have access via your institution.
 

 Presented at the Voice Foundation's 33rd Annual Symposium: Care of the Professional Voice, June 2–6 2004, Philadelphia, Pennsylvania.Supported by an Innovations grant (B/IA/AN8885/APN15651) from the U.K. Arts and Humanities Research Board (AHRB) in 2003–2004.

PII: S0892-1997(05)00132-3

doi:10.1016/j.jvoice.2005.10.003

Journal of Voice
Volume 21, Issue 1 , Pages 20-34, January 2007