Articulatory Configuration and Pitch in a Classically Trained Soprano Singer

References 

1. Sundberg J. Formant technique in a professional female singer. Acustica. 1975;32:89–96
2. Johansson C, Sundberg J, Willbrand H. X-ray study of articulation and formant frequencies in two female singers. In:  Askenfelt A,  Felicetti S,  Jansson E,  Sundberg J editor. SMAC 83. Proceedings of the Stockholm International Music Acoustics Conference. Vol. 1:Stockholm: Roy Sw Acad Music; 1985;p. 203–21846
3. Sundberg J. Vocal tract resonance. In:  Sataloff R editors. Professional Voice: The Science and Art of Clinical Care. New York: Raven Press; 1991;p. 49–68
4. Titze I. A theoretical study of F0-F1 interaction with application to resonant speaking and singing voice. J Voice. 2004;18:292–298
   • Abstract
   • Full Text
   • Full-Text PDF (174 KB)
   • CrossRef
5. Miller D, Schutte H. Physical definition of the “flageolet register”. J Voice. 1993;7:206–212
   • Abstract
   • Full-Text PDF (613 KB)
   • CrossRef
6. Lindblom B, Sundberg J. Acoustical consequences of lip, tongue, jaw, and larynx movement. J Acoust Soc Am. 1971;50:1166–1179
   • MEDLINE
   • CrossRef
7. Sundberg J, Skoog J. Dependence of jaw opening on pitch and vowel in singers. J Voice. 1997;11:301–306
   • Abstract
   • Full-Text PDF (392 KB)
   • CrossRef
8. Granqvist S, Hammarberg B. The correlogram: a visual display of periodicity. J Acoust Soc Am. 2003;114:2934–2945
   • MEDLINE
   • CrossRef
9. Fant G. Acoustic Theory of Speech Production. The Hague: Mouton; 1970;