Journal of Voice
Volume 24, Issue 6 , Pages 678-689, November 2010

Perceptual Findings on the Broadway Belt Voice

This research was presented at the 31st Annual Symposium: Care of the Professional Voice; June 5–9, 2002; Philadelphia, PA.

  • Wendy DeLeo LeBorgne

      Affiliations

    • The Blaine Block Institute for Voice Analysis and Rehabilitation, Dayton, Ohio
    • Corresponding Author InformationAddress correspondence and reprint requests to Wendy DeLeo LeBorgne, The Blaine Block Institute for Voice Analysis and Rehabilitation, 369 West First Street, Suite 408, Dayton, OH 45402.
  • ,
  • Linda Lee

      Affiliations

    • The University of Cincinnati, Department of Communication Sciences and Disorder, Cincinnati, Ohio
  • ,
  • Joseph C. Stemple

      Affiliations

    • The University of Kentucky, Division of Communication Sciences and Disorders, Lexington, Kentucky
  • ,
  • Heather Bush

      Affiliations

    • University of Kentucky College of Public Health, Department of Biostatistics, Lexington, Kentucky

Accepted 17 February 2009. published online 09 November 2009.

Summary 

The present study required raters (casting directors) to evaluate the belt voice quality of 20 musical theater majors who were proficient in the singing style referred to as belting. Two specified vocalizes and six short excerpts from the belting repertoire were used for rating purposes. The raters were asked to judge the belters on a set of seven perceptual parameters (loudness, vibrato, ring, timbre, focus, nasality, and registration breaks), and then report an overall score for these student belters. The four highest and lowest average scores were used to establish the elite and average student belters. A correlation analysis and linear regression analysis provided insight regarding which perceptual judgments correlated most highly with the elite and average scores. The present study found the perceptual ratings of vibrato and ring to be most highly correlated to the elite student belter. In addition, vibrato and ring were found to highly correlate with perceived loudness.

Key Words: Belting, Perceptual judgments, Singing voice, Aesthetics, Vocal beauty

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PII: S0892-1997(09)00024-1

doi:10.1016/j.jvoice.2009.02.004

Journal of Voice
Volume 24, Issue 6 , Pages 678-689, November 2010